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'The Avengers - Must See TV' (2005)
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Avengers Must See TV‘Must See TV’ is een reeks documentaires, telkens 30 minuten lang, geproduceerd door ‘Talent Television’ voor ITV ter gelegenheid van het 50 jarig bestaan van de Britse commerciële omroep in 2005. Het eerste programma, uitgezonden op 10 november 2005 op ITV 1, brengt het succesverhaal van ‘The Avengers’. Verteller en gastvrouw is de Britse actrice Joan Collins.

Andere documentaires in de reeks belichten de programma’s  'Kenny Everett', 'The Sweeney', 'Spitting Image', 'Upstairs Downstairs' en 'Minder'.

Hieronder vindt u de Engelse tekst van de ‘Avengers Must See TV’ uitzending:

Joan Collins: “It was the swinging sixties when popular culture was being influenced by the music of ‘The Beatles’, fashions of Carnaby Street and films and TV secret agents. In 1962 I was playing a secret agent myself starring alongside Bob Hope and Bing Crosby in a movie called ‘The Road to Hong Kong’ and Patrick Macnee was dominating our television screens as John Steed in the stunning and groundbreaking series called ‘The Joan CollinsAvengers’. The Avengers was an adrenaline charged off-the-wall action adventure series, which became one of ITV’s biggest ever hits. Every week millions of loyal fans thrilled at the exploits of the debonair secret agent John Steed. With his trademark bowler and brolly Steed would foil the diabolical plots of fiendish villains. With more than a little help from his partners in crime fighting, a succession of athletic high fashioned glamorous women. The first was Cathy Gale then along came Emma Peel and then there was Tara King.”

Honor Blackman (Cathy Gale): “It did advance the cause of feminism. Because up till then you had the odd bitch and the murderess but you hadn’t had a woman who was the equal of the man.”

Joan Collins: “The Avengers created a surreal fantasy world all of its own. Everyone was up classed and lived in luxurious Champaign lifestyle. But it was all done with a wink and its tongue firmly in its cheek.”

Peter Bowles (Actor): “It was an escapist world, surreal world, it was like going into a painting, a surreal painting. It took you out of yourself.”
Honor Blackman (Cathy Gale)
Joan Collins: “In The Avengers nothing and no one was normal.”

Peter Bowles (Actor): “It was pure entertainment, it was surprising at all times, and it was English.”

Linda Thorson (Tara King): “It was a beautiful England that everyone wants to know. It was sunny, people had wonderful things, wonderful cars, wonderful clothes, there were flowers and it was an ideal England it wasn’t the dark grey cold place that people think of.”

Brian Clemens (Writer and Producer): “The Avengers lives and exists in its own world, no social problems, no family problems. The only thing it was spoiling it from time to time were diabolical masterminds who would try to take over the world.”

Linda Thorson (Tara King): “The plot sort of darted between the fantastic and the real with reckless abandon. And no attention was paid whatsoever to the fact that the plots were entirely wacky and mad and oddball.”
Peter Bowles (Actor)
Brian Clemens (Writer and Producer): “All the women looked beautiful and all the men were stylish and charming even the villains were charming.”

Joan Collins: “It was gloriously over the top but set against the bold new scientific developments of the 1960’s it all seems strangely possible, just about.”

Philip Purser (Television Critic): “I suppose as distinct from say the James Bond canon it was si-fi rather than spy-fi. The dialogue was crisp, funny, witty.”

Joan Collins: “The Avengers ran for nine years and in that time while production techniques evolved and the girls came and went, Patrick Macnee was a constant, he was the essential cornerstone of the entire Avengers phenomenon.”

Honor Blackman (Cathy Gale): “He was a gentleman in all ways actually. Patrick was very well cast.”
Linda Thorson (Tara King)
Joan Collins: “Patrick made John Steed as the epitamy of cool.”

Don Leaver (Director): “How the final character of Steed came, well that was due to Patrick. Patrick’s father was a racehorse trainer and quite a dandy. And Patrick, realising that none of us had much idea what the character of Steed was, built it for himself. He modelled it on his father.”

Patrick Macnee (John Steed): “Shrimp Macnee his name was, he was a tiny man with a big stomach full of gin and he always dressed impeccably.”

Brian Clemens (Writer and Producer): “The character Steed developed actually through Patrick, that’s very much his creation. I know that he based it in part on ‘Q Planes’, which starred Ralph Richardson. And he was playing a kind of secret agent, he carried an umbrella, wore a full suit and a homburg hat.”
Brian Clemens (Writer & Director)
Patrick Macnee (John Steed): “I wore a bowler hat because I thought it was a nice thing to wear. I had an umbrella because it’s a very useful weapon. And you carry an umbrella and nobody thinks you are any trouble. Always be ready to kill.”

Peter Bowles (Actor): “Patrick always gave a real full-blown wicked star performance of drama and charm and masculinity.”

Philip Purser (Television Critic): “Nobody really knows who Steed was, he just emerged when he was needed. He was not a member of the police force; he was not MI5 as far as anyone can tell. He worked for some mysterious secret organization.”

Joan Collins: “In later episodes we discovered that John Steed worked for a mysterious head of department called Mother and naturally this being The Avengers mother was a man.”

Brian Clemens (Writer and Producer): “Mother appeared in a variety of weird and wonderful places. In one episode his office was on top of a bus. Each week I think people tuned in partly to see the show but partly to see where we put Mother this time.”
Philip Purser (Television Critic)
Philip Purser (Television Critic): “The Americans took to The Avengers in a big way. And I think apart from the fact that it was well done, it was quite exciting and it was amusing, Steed fitted the common midwestern image of the English dude.”

Brian Clemens (Writer and Producer): “They feel the way Englishmen live is the way Steed lives. You know, with a beautiful girl on his arm and drinking brandy and champagne and never getting drunk.”

Joan Collins: “In the mid-sixties the series continued to push back the accepted boundaries of storytelling. But when Emma Peel went undercover as the queen of sin at the hellfire club whilst wearing nothing but black knee length boots, a low-cut corset and a kinky collar, that’s when the censors stepped in. 1966 saw The Avengers fall foul of the censors in Britain and America for one particular episode ‘A Touch of Brimstone’ Diana Rigg designed the costume for Emma Peel’s latest undercover mission herself. She was posing as the queen of sin at a modern day hellfire club. The Producers got away with the outfit just but the next scene was too much and it was heavily cut but here it is, the full original version. The show had come a long way from its first series when it was a straightforward gritty and exclusively male thriller.”

Don Leaver (Director): “The title The Avengers came about because Ian Hendry was playing a doctor trying to avenge the death of his fiancée who’d got caught up in a drugs deal.”
Don Leaver (Director)
Brian Clemens (Writer and Producer): “And he’s helped by a mysterious man from the ministry, John Steed played by Patrick Macnee.”

Patrick Macnee (John Steed): “I was his sidekick for a long time and then he went off and became a movie star and I was left all on my own. They said what are you going to do, well I said what do you think we could do. And they said well you could find somebody else, so I said who, I said should we have a woman? A woman? At that time there wasn’t such a thing as a woman on television, you know. So, we looked around and we found Honor Blackman.”

Don Leaver (Director): “Honor was absolutely marvellous because I’d always thought of her prior to her work with The Avengers rather as the English rose type.”

Honor Blackman (Cathy Gale): “Sweet and lovely and boring.”
Patrick Macnee (John Steed)
Don Leaver (Director): “She really took to all the judo, all physical stuff with tremendous gleam.”

Patrick Macnee (John Steed): “She was the most un-male person I know, she was totally feminine and extremely agile with the opposite sex and a delightful woman.”

Honor Blackman (Cathy Gale): “Steed was always making advances towards Cathy Gale and she always repelled him but I think ... of course she liked him very much otherwise she wouldn’t been involved with all the work they did. And I think she was quite amused, you know, that he would keep trying.”

Peter Bowles (Actor): “It was rehearsed and then shot in one go. It was live really.”

Honor Blackman (Cathy Gale): “So one ran from set to set changing ones clothes and all the rest. This graveyard was build in the studio with an open grave and Jackie Pallo who was a wrestler, we fight and I have to put my foot in his face and kick and we were both getting very tired and when it got to that piece I dawdled for a second and went for the shot. Instead of being Clip: Ralph Richardson in 'Q Planes'nice and putting my foot on his face and kicking, I just kicked and I split his nose right down and his eyes crossed. I don’t know how but he still remembered the next move and ran around and then he fell in the grave. And he was out for seven-and-a-half minutes. I was walking around the grave sobbing I never fight again.”

Joan Collins: “When, after two seasons, Honor decided to move on, the producers knew their next Avengers girl had to continue in the vein as Cathy’s self-assured action woman. But this time they also wanted her to radiate even more in the way of man-appeal. That’s why they called her M-appeal.”

Brian Clemens (Writer and Producer): “I wanted a slightly younger person an unknown. And we tested a lot of young women and off course Diana Rigg was head and shoulders above them all.”

Patrick Macnee (John Steed): “She just was so exceptional she lighted on us like a butterfly on a flower, you know. Well Dame Diana Rigg as she now is, is probably one of the best actresses in the world. She has played opposite almost all the top major actors. She’s a very supreme actress and a perfectly darling person.”
Clip: Diana Rigg als Emma Peel/The Queen of Sin in 'A Touch of Brimstone'
Joan Collins: “Emma Peel brought with her a lighter touch, a jet set attitude to life and stunning new specially designed fashions, oh and she drive behind the wheel of the latest open top sports car. Suddenly after 51 episodes Diana dropped a bombshell, despite earning two best-actress Emmy nominations she was quitting the hottest show on British television to return to the theatre. Leaving the producers to find another headline raving Avengers girl. The actress they chose to play Tara King was Linda Thorson.”

Linda Thorson (Tara King): “It was actually the first time, sort of in the history of any kind of series where the leading character passes the baton over to the next leading character on screen and I have to say I really loved doing the episode and I loved this most quoted line (he likes his tea stirred anti-clockwise). I was just death scared that I wasn’t going to be accepted. And did get a lot of hate mail: How dare you think you could take over from Diana Rigg! It was really awful and intimidating but I kind of carried on with great confidence. And when the show came on the air people seemed to like Tara King so I was very relieved.”

Patrick Macnee (John Steed): “Some of the eighteen or nineteen turns out looking like she did and you don’t have any reaction, God I should be sent to another planet.”

Linda Thorson (Tara King): “Patrick was really delighted that I was so different and I think quite … I mean it really immediately he saw that it was going to be very different for him, he was going to be a different John Steed because Tara King was in love with John Steed. Which was quite a change. And you never knew what their romantic relationship was and you never knew if she was making his tea because she’d just arrived in the morning or whether she’d been there all night. And there was real violence but it was handled in a fantastical way.”
Joan Collins toasts on The Avengers
Brian Clemens (Writer and Producer): “We didn’t have blood. I always said I want the impression if we killed someone that when we pan away that’s someone that actor gets up collects his pay check and goes home.”

Philip Purser (Television Critic): “It’s often dubbed cult, a cult entertainment, a cult attraction, a cult fashion and indeed it was.”

Honor Blackman (Cathy Gale): “It goes on being popular, I think quite honestly because it’s very good. I really think it is good.”

Peter Bowles (Actor): “There’s nothing like it, at all, and will there ever be again. There won’t be another Pat Macnee.”

Patrick Macnee (John Steed): “Well I often been asked why The Avengers was so popular and my answer always to this is because it was very good. It’s one of the best shows that have ever been made.”

Joan Collins: “And that’s my celebration of The Avengers, a truly unique elegant and chique ITV’s series which more than deserves his place in television history. A fantasy world which surely could never exist today. Here’s to Honor, Diana, Linda and off course Patrick, The Avengers."
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Screengrabs © Talent Television / ITV

EXTERNE LINKS
Credits
Host: Joan Collins
Consultant/Writer: Colin Edmonds
Graphics: Huge Designs
Archive: Canal+ Image UK / Granada International
Wardrobe: Carol Fitzwilliam
Hairstylist: Jan Archibald
Make-Up: Claire Degraft
Camera: Stuart Clayton, Mike Farr, Anthony Leake
Sound: Matt Johns, Chris Gibbions, Andy Shakallis
Editor: Rory Ferguson
Colourist: Graham Holtom
Dubbing Mixer: Jon Stanton-Dunn
Post Production Facilities: Molinare
Production Team: Nicki Clarke Browne, Naomi Elkin
Researchers: Paul Banks, Catherine Coleman, Iona Mackenzie
Archive Researchers: Robert Heading, Suzanne Gray
Associate Producers: Gemma Beeney, Michelle Foreman
Production Co-ordinator: Emily Murfin
Line Producer: Adam Hayes
Executive Producer: Tony Humpheys
Series Producers: John Kaye Cooper, Tony Nicholson
Producer/Director: Tom Atkinson
© Talent TV 2005

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