MYSTERY SEA 26 | Aalfang
Mit Pferdekopf | [Genmaicha : At The Opal Seashore]
Once you dreamt sitting at a coarse beach under a murky sky. Surrounded
by a green, alga-filled ocean.
Its waves – ceaslessly.
Dying, reincarnating. There you watched two persons – merely silhouettes
in the dusk or dawn.
One of them: cogitating, wandering around. The other filling a little
hole in the sand with that salty water. A kite at the firmament: the
body of a black ray – hovering. You smelled this curious fragrance of
burnt rice. On your tongue: the sweetness of golden honey. And your
general mood is: sorrow – because you dreamt of being a butterfly –
and now you don’t know who you are...and there’s nobody here to push
your head in a bucket full of cold water...nobody to laugh about your
silly wasting and exertion. Dreams ? Are another salt of life but lead
nowhere. Just going in infinite circles. Like time. Devouring themselves.
Hunting your own tail again and again. Don’t become this dark cloud
looking for a black cat in a dark house at midnight – don’t drown in
philosophy. Start your search but don’t search ! Have a nice dive..."
- Mirko Uhlig, August 2005
Mit Pferdekopf is the somewhat strange name of german eclectic
Mirko Uhlig's surreal exploring solo project...
Mirko usually surrounds himself with a line-up of collaborators
for his varied sound excursions...
In the wake of a strong experimental legacy in his own country, and
based upon a sort book of "no rules",
these soundscapes mostly drift from loose improvisations
using an array of different instruments, sometimes even incongruous,
& field recordings...
This could suggest an heterogeneous, shambolic ambience, but the resulting
pieces are often surprisingly focused & intense...
So far, Aalfang Mit Pferdekopf has a discography of
several self-released discs, as well as MP3s (notably, an EMERGE remix...)
and a recent release on EINZELEINHEIT... but also scheduled are already
a 7" for DRONE, and a 3" cd-r on the ever tasteful TAÂLEM...
On "Genmaicha...", an halo of vapours float
above a sea green basin,
and opening up the thick silence,
a rain song rises, circling,
humming like a soundtrack to a nocturnal "Aguirre"...
a ghost in the moist air...
meshes of alluvium bringing you back to a place of deep calm...
"Genmaicha..." ceaseless churns, filtering
its own echoes,
exuding the murmurs of bamboo fountains,
drawing an exotic postcard from neverland
where shrouded in mist and oblivion,
we inhale celestial magnitude, a glimpse of a Whole...
"Genmaicha..." is like an audio-ceremonial
to get rid of the superfluous...
a digest of essential fluid...
01. The Fragrance
Of Rice Over Green Calm Waves > listen !
02. The Butterfly Dream >
VITAL WEEKLY 501|Frans
The oddly named Aalfang Mit
Pferdekopf was mentioned before, in Vital Weekly 488, when
they supplied all sounds used by Emerge on their Verato Project release.
Now we know it's one Mirko Uhlig from Germany behind
this name, and he plays himself some dark ambient music, at least on
this release for Mystery Sea. Aalfang Mit Pferdekopf
applies no strict rules to his music, he does whatever seems necessary,
using 'different' instruments and field recordings. The two cuts on
this release show this quite well. Dark and mysterious music of a highly
obscured nature. Computer manipulations me thinks of field recordings,
slowly moving and slowly unfolding, majestically wandering around. Deep,
ambient and drone-like music. Nice as such, and no doubt something that
fits well on the catalogue of Mystery Sea, but also without many surprises
(as is the current trend in drone music, I believe). But nice indeed.
Touching Extremes |Massimo
besides being a very pleasant listening experience, is also my favourite
album by Mirko Uhlig until now. The whole record is
centred around amorphous sensations, its aesthetic engulfed by an equalizing
process that privileges the cutoff of high frequencies, transforming
Aalfang's soundpool in a morass of disturbing voicings, muddy chords
and unquiet spirits dancing and whirling in slowly crumbling cathedrals.
What's even better is Uhlig's work with sonic consecutio: no matter
how we try to abandon defenses to get overwhelmed by reluctance, the
breathtaking loops used by Mirko to raise the level
of evocation work wonders in soliciting our sense of doubt, bringing
out the most profound despondency in a continuous flow of appearances
and displacements. Fantasies can be scary sometimes but this time Aalfang
Mit Pferdekopf's imagination gave birth to a quasi-masterpiece
of ultramundane music.
Mouvement Nouveau |Tobias
Someone once quipped that
talking about music was like dancing about architecture. This is so
obviously wrong that we seriously suspect that it wasn’t in fact
Frank Zappa who said it, but rather some hopeless cynic. On the other
hand: Aren’t the biggest cynics just the romantics who got disappointed
most? “Genmaicha” seems to have been written
especially for them. For this is an album that takes you all the way
back. To a place and time, when nothing was important and nothing impossible.
When worries were far away and there was only warmth, trust and tenderness.
These two stretched-out pieces are the endless oceans of a nascent cosmos
and an eternal womb – everything moves slower here, yet with the
powerful and comforting heartbeat of mother gaia. When you’re
inside a bubble, you can feel both safe and suffocating, both sensations
are present here: After the frightening opening sequences of “The
Fragrance of rice over green calm waves”, a long, longing sigh
commences, which impalpably changes its colour and pulse – at
times you will find your cradle being gently rocked by a tender hand
and then again some evil claw is reaching out for you. Someone touches
a fender rhodes by accident, but apart from that, there is no obvious
melodies or themes, just harmony and a beating heart. “The Butterfly
Dream”, then, sounds like the echo of a kiss inside a pitch-black
tunnel, like bells striking in reverse against a cloth of felt. After
fourty minutes, you’re leaving the Opal Seashore again –
or is it leaving you?This is Aalfang mit Pferdekopf’s
fourth fabulous full-length, after his self-released debut and the “12
Seepferdchen” record on einzeleinheit and it should give back
at least a glimmer of hope to all those broken souls out there. For,
even if our description should only come half-way in portraying how
great this music truly is, it doesn’t prove Zappa right. Instead,
talking about music is like talking about love – just because
it’s not the real thing, doesn’t mean you shouldn’t
3.5 stars out of 5
You never really know
what to expect from Mirko Uhlig's mutating project,
judging from the handful of releases I've listened to. The previous
ones featured a fascinating - if occasionally unbalanced - mix of
drones, psychedelia, concrete recordings and acoustic folk, while
the two 20-minute parts of "Genmaicha..."
decidedly opt for a more depurated form of ambient music: vast spiralling
drones with a warm feel to them, reminding of (largely) guitar-based
projects and artists like Troum, Mirror, Moljebka Pvlse or Andrew
Chalk. This might well be Uhlig's most mature and successful release
to date, and perfectly fits the Mystery Sea tradition of oceanic soundscapes,
though I feel that, given his talent, he still has to find the ideal
balance between minimalist drones and more adventurous and surrealistic
(Sergio Rocha Senos) --- NEW !
Pferdekopf is the somewhat strange name of German eclectic
Mirko Uhlig´s surreal exploring solo project…"says
the little biography discretely attached to this disc as information
note about this almost unknown yet talented artist . And we fully
agree, specially the "…surreal exploring.." part.
Giving you a first sight description
, "…at the Opal Seashore" is a mysterious
and a hypnotic painting, exploring in deep details, the secrets and
wonderings of a surreal Nature. A Nature that can only be seen (or
heard) inside our dreams or thoughts. Or even the sonic exploration
trough the enjoyable Nature of Taste as we enter inside a kingdom
of flavours (Genmaicha is the japanese name for green
tea combined with roasted brown rice), connecting sensations and mental
imagery. From the same spot where we seat and relax , we also enjoy
a myriad of both mental and physical sensations, through layers of
calm sounds and deviant effects that sometimes establish a strange
duality between some sort of acrid madness and breeze-like softness,
over a constant low frequency pattern, that inflicts a profound state
of enveloping through this work. In fact, the diverse non-stop spawn
of atmospheric loops, keep our mind close to a eerie vibe, making
each one of us lost the guidance of space and time. It is like floating
trough several abstract dimensions, or doing a journey through the
many moments of a day in few seconds, wedding the dew-scented misty
early mornings with the fading lights of a nightly birth. Sampling
organic environment, the sensation of dissolving our souls in the
mazes of Nature is very efficient: the bird singing, a dissonant and
insipid (of what seems to be) rain, wooden beats, wind, distant iron
screams echoing through the valleys like spirits running free at night.
All this camouflaged at times by intense sky high sharpened frequencies
wrapped on maniac reverbs and panoramic drones that deliver us a unique
sensation of breathing inside the sound it self. But do not think
this as something exclusively experimental. In fact the true magic
of the whole composition , is the gather of all the colours that we
can and try recognize here (and they are many) and blur all into one.
One and singular tenderness that slides from the particular and almost
unheard low-key lightness that align and structure all the vertices
of sounds and mind perception, surrounding us deeply in warm and somnolent
comfort, as an invisible entity that guide us through distant planes
of self imagination and uncompromising liberty. Yes. Mirko
work and alter-ego does not fail at all in free our souls. What could
we want more? Asking for more…maybe? Positive answer, I anticipate…More
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