Therefore they cannot exist outside of the film(s). A determined amount of time (the movie) becomes part of their totality. The slow descriptive camera movements guide the viewer through a space in which the confrontations between person-object-space are made apparent. The slowness of the registration of the events in the movie clips can be equated to the rhythm of a thought.
Filmfragment II (canvastafelblad), looped video projection, 3min., bw
Filmfragment III, (blokje), video projection, 3min., bw
Filmfragment IIII, (plastiek) video projection, 2min., bw
Filmfragment IIIII, (cape) looped video projection, 3min., bw