
Before I got this CD to review from Brian here at Rockeyez I honestly
didn’t know much about FROZEN RAIN except that I heard it
was being touted as a fine new AOR release from a group based
out of Belgium.
Well, I did a little research and found out that the project is
the mastermind of keyboard player Kurt Vereecke. And as the story
goes, Vereecke and the name FROZEN RAIN, have
been around since 1986 but the original group dissolved after
which Vereecke formed another Belgian act named RHYANA.
That lasted until Vereecke decided to become a school teacher
and subsequently decided to start writing songs for children along
with a series of teaching books.
In
2001 Vereecke decided to resurrect the FROZEN RAIN name and started
to write some new material with Swedish lyricist Andy Flash and
began to assemble a group of musicians to bring the project back
to life.
Fast
forward to 2008 and finally here is the debut from FROZEN RAIN.
The
first FROZEN RAIN release is obviously a product of well-seasoned
and veteran musicians and that certainly shows as the album is
a smooth and well-written body of work.
The
album opens with the song “Waiting For You”
and it’s basically an AOR-lovers wet dream with the styles
of bands like HONEYMOON SUITE and to a slightly
lesser extent SURVIVOR brought to the forefront
of your mind immediately. The albums second track “Wire
Of Love” is light and “airy” with its
feel good vibe and melodic playing all around.
The
record continues on with the tone set in the opening tracks and
rattles off more melody (and keyboards) than you can shake a stick
at! I hear a lot of different influences from the greats of the
AOR genre. And at times I even hear more obscure influences like
on “My Heart Believes It’s True”
and the album closing “Tomorrow”
which reminds me of New York-based AOR act the PETER STEVENS
BAND.
It
should be mentioned that the talented Swedish guitarist Tommy
Denander lends his talents to this record… but then again
it seems if you’re talking about the European AOR scene
these days what doesn’t Denander play on!
Review
by Mark Balogh