Frozen Rain: Melodic rock music & AOR
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Having in my hands the debut promo of Frozen Rain, with the same title, I can say that I caught myself gazing the art cover for a long hour, and having pressed the play button, the first melodies began to arrive in my ears. While listening, I said to myself that it was time to search for them a little closer. So what else is better than visiting their profile at myspace (www.myspace.com/frozenrain) and their official site (http://www.frozenrain.be)?

It is all about a project of Kurt Vereecke, who gathered, besides the basic line–up, other musicians, such as Tommy Denander (Radioactive, Prisoner), Steve Newman (Newman), Daniel Flores (Mind’s Eye), Jim Santos (Norway) and Ollie Oldenburg (ex–Zinatra) in order to complete this album. Music category that can be put into? Definitively Melodic Rock/AOR.

The first comments have to do with the fact that it is about a hard–worked project that basically sums up the period of the ‘80s into 12 tracks. The soul of this album is Kurt Vereecke who, through this album, must have made a dream of his come true.

The truth is that Frozen Rain is not a new band, as they were born in 1983, disbanded and Kurt decided to reborn them in 2001. From that point on, he is dealing with the creation of that album. Lots of years? However, I believe that the result can prove him right in a great extend, as the matter in producing an album nowadays under the pressure of record companies for commercial reasons is not always the point. Sometimes the creation itself is under personal satisfaction unconditionally.

Specifically, for the songs on the album, I could describe the majority of them with one word as ‘travelers’. You have to play them loud in your car while swallowing the miles. From the first spins of the album, moments from Journey, Survivor, Loverboy, Honeymoon Suite, Treat, Harlan Cage, Toto and Heartland come to mind. All over the album you find colorful keyboards, chorusses that stay in mind, guitars with emotions and a total production and performance that are in high levels surrounded with a positive energy.

In summary, I confess that I knew nothing about their existence before, as I think of most of the people who read this review now. Honestly, I summon this album as a serious work that I urge you to listen to (especially the AOR–fans) and that is embraced from great musicians of its kind and what is better, of course, for a musician (Kurt Vereecke) to be able to create the music he loves together with his musical idols?

Rating: 8/10